‘Virtuoso of the Arts’

The Times

‘extraordinary cellist, virile baritone, compelling actor – astonishing’

The Daily Telegraph


‘an extraordinary cellist – charismatic, virtuosic, brimming with verve and poetry.’ The Times

Matthew is internationally recognised as both a compelling classical artist and a fearless pioneer. His adventures in and through music and across disciplines are ‘unrivalled’ and ‘unprecedented’, balancing provenance and vision in a unique and potent way.

He studied cello with Boris Pergamenschikow in Cologne, voice with Ulla Blom in Stockholm and English at Trinity College, Cambridge. He was taken to Jacqueline du Pré when he was 12, Galina Vishnewskaya when he was 18 and studied chamber music with the Amadeus Quartet. He performs at major venues and festivals worldwide as solo cellist, baritone, actor and director.

Matthew has appeared as solo performer with the RPO, LPO, RLPO, CBSO, Orchestra of Opera North, SCO, EUCO, ESO, NCO, Manchester Camerata, Orchestra of the Swan, Orchestra X, Arensky Chamber Orchestra, and Ural Philharmonic.

In opera, he has performed principal roles for Opera North, ROH, Almeida Opera and Mahogany Opera Group, amongst many others.

In theatre, he has performed principal roles at the Young Vic and National Theatre Studio, collaborated with Kneehigh, Complicité and, most recently, with legendary illustrator and film-maker, Dave McKean.

He has recorded for Sony, EMI, Decca, Naxos, Somm, NMC, Avie and Whirlwind and appeared in recital as both cellist and singer at Wigmore Hall, SBC and Salle Gaveau.

‘Matthew Sharp’s singing raised the evening to a pitch of spiritual feverishness rarely encountered in either concert hall or theatre.’
Independent on Sunday

As a director (music, theatre and opera), he has written, conceived and directed shows for Opera North, BBC, Breakthru Films, Yorkshire Sculpture Park and West Green Opera. His own music and theatre works have toured to major festivals in Europe, India, China and the US, including Glastonbury, Latitude, Wilderness, Mumbai LiveLit, Philadelphia Live Arts and NCPA, Beijing. In addition, he has given over sixty world premieres by composers from all walks of music – including the title role in Sir John Tavener’s The Fool and Errollyn Wallen’s Cello Concerto – at festivals from Sydney to Toronto, Sao Paulo to Delhi.

He is the agent of world-leading research in the performing arts and interdisciplinary practice, his pioneering multi-disciplinary performance work the focus of research in books and international publications.

As chamber musician, he has performed with the Amphion, Heath, Sacconi, Vertavo and Villiers quartets, Ensemble Epomeo and the Galliard Ensemble, with members of Brooklyn Rider, Grammy-nominated A Far Cry and Ensemble 360 and with, amongst others, Nicola Benedetti, David Le Page, Nicholas Daniel, Martin Fröst, Craig Ogden, Ksenija Sidorova, Katya Apekisheva, Dominic Harlan, Leslie Howard, Stephen Kovacevich, Viv Mclean and Johan Ullen.

He has worked with an extraordinary spectrum of major artists, including:
Sir John Tavener, Errollyn Wallen, Richard Dubugnon, Django Bates, Brian Irvine, Richard Causton, Stephen Deazley, John Harle, Paul Englishby, Julian Phillips, Adam Cork, Neil Innes; Marta Eggert, Trilok Gurtu, Dame Shirley Bassey, Sabreen, Iain Ballamy, Crispian Mills, Hanitra Rasanaivo, Gruff Rhys, Mike Westbrook, Keith Tippett, Sameer Rao, Tarun Bhattacharya, Kit Downes, Matthew Bourne, Emilia Martensson, Alice Zawadzki; Caryl Churchill, Martin Riley, Rupert Sheldrake, Carol Ann Duffy, Sir Andrew Motion, Zinovy Zinik, Patrick Barlow, Matt Harvey; Kneehigh, Complicite, Simon McBurney, Annabel Arden, Tim Supple, Phyllida Lloyd, Stopgap Dance; David McKean, Bunny Christie, Jean Kalman.

‘Matthew Sharp’s performance in the central role displays consummate theatrical invention…a commanding vocal and stage presence.’ The Guardian

Matthew is Creative Director of Revelation, Ashford – recently selected by the Royal Opera House as its ‘links’ partner – and artist-in-association with the English Symphony Orchestra. He was artistic director of the Deal Festival for three years, transforming its profile, smashing box office records and introducing a year-round outreach initiative called Pyramideal.

Upcoming highlights include his new concerto collaboration – Incantatio – with Stopgap Dance, the London Contemporary Orchestra and composer Richard Dubugnon, a solo disc of devotional works from across denominations and the world for multi-tracked cello and voice, a Schubert/Brel project with the Brodsky Quartet, the first recording of Hans Gal’s concertino for cello with Kenneth Woods and the ESO and the film of Death’s Cabaret – A Love Story – a gripping and pioneering concerto by Stephen Deazley and Martin Riley. He will be staging Shostakovich’s 14th Symphony with the ESO for live performance and DVD.

Matthew teaches at Birmingham Conservatoire and has been a guest lecturer at GSMD, RWCMD, RCSSD, Trinity Laban, Juilliard, Dartington College and Leeds, Lincoln, Portsmouth and Sheffield Universities. He devised and delivered the inaugural, televised event for InHarmony, Leeds.

Matthew is thrilled to play on a copy of the ex-Pergamenschikow Montagnana by Robin Aitchison.


April 22nd, 2017, 19.00

Singing With Nightingales National Festival, Grafham Water, Cambridgeshire

Improvisations with nightingales and music round the campfire

James Edwards, host
Matthew Sharp, cello & baritone

April 29th, 2017, 12.00

Wisewords Festival, Canterbury

Hansel & Gretel and other tales

Written & performed by Matthew Sharp

Presented by The Wheels on Debussy

April 29th, 2017, 16.00

Wisewords Festival, Canterbury

Rough Magic – Sollima, Tavener, Britten, Buckley

Matthew Sharp, cello & voice


May 12th, 2017, 21.00

Masonic Temple, Toronto Comic Arts Festival

Black Dog – The Dreams of Paul Nash

Dave McKean – keyboards, Matthew Sharp – cello & voice, Clare Haythornthwaite – violin

May 13th, 2017, 19.30

St Anna’s Chapel, Newburyport Chamber Music Festival

Solo cello & voice recital – Sollima, Tavener, Britten, Deazley, Porter, Brel, Piazzolla

May 14th, 2017, 16.00

Concerts on the Hill, Portsmouth

Solo cello & voice recital – Sollima, Tavener, Britten, Deazley, Porter, Brel, Piazzolla

May 16th, 2017, 19.30

Olivier Theatre, Bedales School


The Devil’s Jukebox – 400 years of the Devil’s Best Tunes – from the fiendish fiddling of Paganini and Tartini to Mussorgsky, Mozart and the infernal brilliance of Robert Johnson’s blues

Led by cellist/baritone Matthew Sharp, a handpicked group of international soloists, including Bedales alumnus Anna Dennis (soprano), Bedales very own Mephisto of Music Ben Harlan (clarinet), David Le Page (violin), David Gordon (piano), Milos Milivojevic (accordion) and Graham Instrall (percussion), invoke Beelzebub and his unnatural henchmen in music.

May 21st, 2017, 16.00

Bartlemas Chapel, Oxford

Shakespeare & Ritual – RVW, Holst, Sollima, Sousa

Voice & Matthew Sharp, cello & voice

May 28th, 2017, 15.30

Shirehall, Hereford

Hans Gal Concertino for Cello & Strings, performance and world premiere recording

Matthew Sharp, cello

English Symphony Orchestra, conductor Kenneth Woods


‘So full-bloodied, so dramatic, so supple is Matthew Sharp’s playing that it captures the attention right through to the end of this major cello concerto. He attacks the hugely expressive solo line with just the kind of assertive, gushing energy that it needs to bring it truly to life.’
The Strad


Errollyn Wallen (composer), Orchestra X, Nicholas Kok (conductor)





Brahms and the Gypsy




Richard Dubugnon (composer), Dominic Harlan (piano)


More Recordings ↓


Ola Gjeilo

Voces8, Tenebrae





Verklärte Nacht – Schoenberg

Ensemble Epomeo and friends



Lara St John


The Girl In My Alphabet | Dervish

Errollyn Wallen (composer), Dominic Harlan (piano)


Pepper Street Interludes

Iain Ballamy


Chanson Irresponsable

Mike Westbrook


String Theory




Neil Gaiman, Dave McKean, Jim Henson Company, Iain Ballamy


The Gospel Of Us

Dave McKean, Michael Sheen



Dave McKean

Pioneer | Director | Presenter | Mentor | Ambassador

‘The Renaissance Man’

Classical Music Magazine

‘Matthew’s work is truly pioneering

in terms of interdisciplinary performance practice and is undoubtedly world-leading in terms of originality and significance.’

Dr Dominic Symonds

‘Of all the artists and producers that we work with, Matthew is the most ‘total’.

His knowledge of music and the related arts, his engagement with current practice and emerging concepts of performance, and his unparalleled range of performance and producing skills, make him an invaluable resource and a unique figure within music and theatre.’

Dominic Gray, Director, Opera North Projects

Getting under the skin of the canon and revealing it for the 21st-century

Making fabulous and unforgettable work with extraordinary music for audiences of all kinds – virgins and veterans of the concert experience, the first- and the last-time listener, the 90% who don’t and the 10% that do

Training a generation of 21st-century musicians – artists, entrepreneurs, communicators


Strolling player, troubadour, 19th-century performer/improvisor, fearless pioneer. In pursuit of getting under the skin of the canon and revealing it for the 21st-century and making fabulous and unforgettable work with extraordinary music for audiences of all kinds, here are Matthew’s current projects:

Tommy Foggo – Superhero

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Tommy Foggo & his Cello are a superhero duo. They go on epic adventures and overcome impossible odds – and they like to sing a tune and share the fun with their friends on the way!

Tommy’s mum had told him to wait for her at the bus stop and never showed up again. It felt to Tommy like he’d been stuck there for a zillion years – even after he’d been taken to live in the children’s home.

And then, one day, he ran away – to the seaside. He was looking for an Italian ice-cream but, instead, he found Destino, a talking Cello with a mission.

Join Tommy Foggo and Destino as they recruit a gang of young helpers to travel with them through time and space to find the Queen of Lost Atlantis – and save her people from the giant, venomous and cold-blooded Kraken of the Deep.

Brought to you by award-winning composer and writer Stephen Deazley and Martin Riley and international cellist, singer and actor, Matthew Sharp – ‘virtuoso of the arts’ The Times.

“As though Tom Waits and Stephen Sondheim had come together with Roald Dahl. Deazley is quite simply a visionary”. The Herald

Audience feedback:
“It was the best day of my life.”
“It was like waking up!”
“You kept all the children completely enthralled.”
“a work of inspired and delicate beauty.”

This is a show as much for adults as for children. Recommended age 7+


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Death’s Cabaret – A Love Story

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A concerto for the 21st-century – a cabaret concerto. A unique and thrilling marriage of the 19th-century concerto form with the grime and sensuality of cabaret – both an innovation and a re-invention of an ancient tradition. Dangerous, intimate, raw and virtuosic, it promises to be an unforgettable night.

As our hero discovers.

Mistress Death comes to call. Your time upon this earth is up. When life is in the balance, what will save you? Love, music or waking from the nightmare?

Let the performance of a lifetime begin!


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Faithfully re-imagined, ZRI present beloved quintets by Brahms and Schubert in the form of a tavern ensemble of its time. Re-scored here with a santouri and accordion for the rich folk band sounds that inspired the original pieces themselves, ZRI weaves in gypsy and klezmer music to present a concert from a time when classical and folk came from the same place.



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